Friday, December 31, 2010

not just any old mead

subject on canvas
mat
simple, no lines
no wide rules
no narrow bands
of creation to interrupt
the art
as the creator draws one final
scene
a man weaving a dream spiral
in the black crush of a blue ocean
at night
and then morning falls on the canvas
bright, cool
simple
in a sketchbook from my fathers
i would draw that if i could

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Thursday, December 30, 2010

here inside these new walls

considerable weight
burdens our frail shelter
of stored up tranquility
and borrowed mortar

measurable times
sullied by crafty pirates
of solid amorality
and furrowed brows

i stand not to shroud it
i stand not to pretend
i see some pretense of purity
and the walls crumble
to be raised again?
"perhaps," said the vassal
but then the house will
always be just a house
and never again
a castle

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Wednesday, December 29, 2010

dusk canticle

never tell me anything
painful or
show me anything searing
to the eyes
never mention the mediocrity of your
stillborn dream
wait until I'm ready to listen
and my wine is poured
to speak truth or don a mocking
laugh
i serve no servant other than
time
i give no mention other than to
his wife
let the dinner bell stop
and let the carousel wheel circle
for I am missing my daily amusement
also known as your demise

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Tuesday, December 28, 2010

blood from love

some say time matters not
when love happens
perhaps the elixir is too strong
perhaps the ticking of the clock too soft
tick tock tick tock
no more reality
nor space for sanity
only the frail smile
that comes but does not go

with love
ruins glow but fail
rivers are rapid but willful
for it seems we give back
cupfuls of love like rain
on april's new window
porous cover, the heart,
takes that murky bath
when love happens
though it seems
for better or worse
blood flows

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Monday, December 27, 2010

today's royalty

lift up the phone
and call the king
let him know
you've lost your way
and he'll save you yet
this is what they do
kings and queens of today
give you reason to love
their mending ways
for this they want your soul
a little love
a little loyalty
that and some more
a little love
goes a long, long way

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Sunday, December 26, 2010

bond

forged
in a cold sweat
teased by solidarity
we grow old
wither
and sense something
not so distant
tugging at our shirttails
begging for a final
bit of mercy
and then we separate
one last time
not out of sadness
or gloom
or even love
but just because
we can
making us human
if not inhumane
and broken

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Saturday, December 25, 2010

the soul next door

cold snaps
my iron will
into narrow shards of glass
beveled by the fierce wind
the souls seeks more depth
more warmth
to put itself
back together again
so it can, amen,
render its owner whole
at peace
more substance than less
but never more than the soul
next door

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Friday, December 24, 2010

a new peace

a new peace
forged in common purpose
borne by an endowment
like no other
wound tightly by rope and
lights strung together in hope
a new peace shatters
a growing discontentment
that some seem to bear
even though, today and tomorrow,
we all breathe the same air
we all retain the same share
of life
one
no one better than the next
no home less beautiful
and no god less bountiful
in his or her love
this is a new peace
that i wish for all

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Thursday, December 23, 2010

view into the crater

from Spring's temperate wind
to the visage of old man Winter
standing at the rim of deep void
in nary an hour
from heaven to hell
an ascent of all things
never a dull moment,
Mother Nature
never a sense of boredom
or a stage bereft of actors
but there is only forward motion
whether it be for good
or for bad
up the mountain we go
hoping only that the other side
brings a downhill slope

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi


Wednesday, December 22, 2010

time immortal?

a year of pictures
black, white
some in color
washed with anger
fear
'nointed in sunburst
some but not many
her smile dazzles each time
fleeting, here in my hand
something tells me life
is more than still frames
and the gross errors of our way
it is a beating heart
a train up a mighty hill
a snowdrift in june
the melodrama of new life
until the shutter closes one last time
and the flash dims
the faint smell of filament
leaves the room
and all is just as it was
when we began
opaque

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Tuesday, December 21, 2010

some call it love

lamplight dances
gingerly as the maiden
forms a statue
for all to see
johnny come lately's
dabbling in and out of
conscious lust
a lust which
evades them
a sense of yearn
that gives them new breath
that keeps them dodging
the shadows at home
more or less
this is the animal
turned human
and with each bill
his right to harmony
exists
still, then a flurry
a waltz of shame
for some
a dance for liberty
for others
love for all

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Monday, December 20, 2010

passing through

a cool morning
songs in monotone
colors not - orange, red, gold
the sun rises, the banks give way
oars hit the water, bold
placid becomes scorned
leverage remains fleeting

my vessel cuts through the water
no hint of solace, no restless beating
no forgiving wake
the oars rest, the earth sighs
i cup nature in my leathery hands
and i give my heart to the lake

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Sunday, December 19, 2010

sleep with the soul

a soul in the bottom of a well
no light shone, no voice sank so low
only the cool stream of regret and anticipation settled
deep within its brick and mortar
deep below the waterline

a mind in the section of a wall
little light, little music to arouse it
only the falsetto of pageantry
and tremolo of courage
to gird it
the mind falls
deep into the well
where it sleeps with the soul

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Saturday, December 18, 2010

let freedom ring

let freedom ring
softly in the wheat fields
golden
let freedom ring
loudly on the street corner
amplified by a beggar's crow
let freedom ring
let it spill from the mountaintop
let it swell from the currents
of the deepest ocean
let our freedom ring
so that no man or woman or child
is deafened and smothered
by the chains of bias
the chasm of hatred
the despair of violence unto others
let freedom ring
again and again
amen

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Thursday, December 16, 2010

H2O

in the river outside
the daylight swims
close to the banks
never a dull minute passes
along the stream
the current, fierce under the wave
carries with it my dream
subtle, not tidy
whole, but not too much so
grander than the last
still like oxygen

then, the dam breaks
simple motion multiplied
a force of nature
colliding with my brain
splitting my body like a knife
splits a melon
just a little bit of resistance
but sweet nonetheless

adt


short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Wednesday, December 15, 2010

renaissance men

renaissance men
forlorn, having lost everything
caged by their modesty
moored, deep in the mud
bubbling up from their past
not to worry
the lust in their hearts
grows weaker now
courage to live right
and rites of passage face them
like bold stanzas across time
meter unbroken, but
the words meander
along gilded pages, frozen in time
and they search, slow, pensive,
wide and far 'round the earth
for one last chance at love,
one minute of rebirth

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Tuesday, December 14, 2010

the escape artist

measured, tactile
brushed aside early
was the sound of my heart beating
around the corner
a parade of forgiveness
marched, unrestrained
for the silencer of conscience
even on sunday morning
pews awaken, gleam with
an arc non-convenant
smiles, shameless smiles
and the silent one
becomes the king evermore
and the sea of followers
ebbs
flows
and falls back again
and my heart beats
cradled by my tears
nevermore

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Monday, December 13, 2010

artifacts in still life

in sterile rooms
broken glass, stained hands
oil stained
painted a dull ache
a billowing wind
not tied to any specific
artifacts
or topography
or Japanese garden
painted only a small inkblot
red, deep red
not more or less
the glass filled the spaces
reflections of a simpler
room of fiction
damsels distressed
and heirloom menageries,
still but impassioned

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Sunday, December 12, 2010

brooklyn never smelled so teen spirit

crawl to the edge
push over the hedges and run
to the other one
nothing sorts out
nothing comes up roses
but i have my notes
carefully crafted
black ink, Waterman
i keep them in my back pocket
storage for hipster nomads
that dart in between the puddles
Brooklyn never smelled so teen spirit
i'm not sure if i can even say that


adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Friday, November 26, 2010

war crimes

receding tempests
coasting down the path
nothing but somber battle drums
sound, true not bright
each soldier a figure in time
dancing 'cross the shallow
noting enemies' brazen aria
bold cacophony, light machine
"fire in the hole," rings proud
softened by the cries
of boys shouldering you and I
pray not for rain, for gold
or for your soul
pray the tempest ends
and father time brings them home

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Thursday, October 28, 2010

sunset never

she boldly asked
"are you awake?"
at 3 am
and i rolled over like i always do

at the sunset, 10 hours ago
i was awake for sure
crouched in the corner
waiting for the bordeaux to age
and she hit me with a song
like no other I had heard

"dinner is served, dear,
are you hungry?
are you waiting for me?
is this the last supper for you and me?"

just then, the big light dipped into the horizon
pitch black doldrums again
forcible exit again
in my memory
i have but one love
in my memory
i have but one dream
it's of you and me
crouched in the corner
wine-drenched lips
waiting for the sunset
never

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Tuesday, October 26, 2010

nothing better than dead fish

i'm sitting, square in the middle of every day
awkwardly tilted to the left
miranda rights and all
i'm not sure they'll find me yet

crates and barrels along the sewer path
dead fish buried amongst the poor and
trodden down
the ones they couldn't eat, you know
the lady frowned and burned her stockings
couldn't go to the loo so quickly
she said

i jazzed up some concoction
held it up to the sky
winked at my neighbor
and drank slowly

you see
it's passion that buries the hatchet
creates wonder and joy
not a schilling or a cent
a mental journey folds
in the town near my birth

one, two, three
four
you

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Sunday, July 4, 2010

No worse shame

graft and pain
the modern engine hums
belching out ogres, rattlers, and even
sorcerers

quid, quidditch
it's all the same
i gently rock in my mind
while she gently sorts her mane

lowly places, boiler rooms
crowded plazas and airport mezzanines
they're all the same
we take more of what we can never give
stakes in the ground, massive galleries of oil
food from a child's belly
and i, i simply can't watch the telly
for what we create
there's no worse shame
no worse shame

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Sunday, June 27, 2010

Black White Pearls

The ice and Scotch spin round in the glass in unison. The sound it makes as the ice hits the side of the glass echoes melodically through the room. Frances plays the black and white pearls without effort. Her father watches and scowls. He places the glass on the side table and continues reading his paper. It is gray outside.

“Stronger, child, stronger. Your playing lacks courage.” Marven remains a stoic, hardened single father. Similarly, his Frances remains his fragile, porcelain child, one that gives him great comfort coupled with seemingly unending frustration.

The music, Chopin no less, rumbles from the mighty Steinway. Marven knows that Frances puts others her age to shame at the piano, but that matters little. Frances continues to play stronger and stronger. The ambient temperature in the room begins, it seems, to rise. Suddenly, she stops. Cold.

“Father?”

“Yes, dearest.” He lowers his newspaper to look at her. She seems quite annoyed.

“Father, why do you always seem so perplexed and, at the same time, indifferent to the world?”

“Dear Lord, Frances. How old are you?”

“I am 11 years Father, complete and never to be seen again.” Frances mistakenly plays a single C-note.

“Well, my dear, I do not begin to understand where you come up with such perplexing questions, followed by such philosophical meanderings, but I shall owe it to the brightness that emanates from your dear, dear mother.”

Frances’ mother passed away some two years ago. It was quite sudden and it left both Frances and Marven hollow and lonely. Their mother remains a beacon of hope and energy for both of them. There is no stronger bond. But, the loss of her presence weighs heavily on them both, not yet extinguished by time’s endless march towards finality.

“Why, Father?”

Marven, caught seemingly without a word to offer back, simply smiles, looks at his daughter, and sighs. “Dearest, it is not I who am so perplexed and indifferent. No, it is the world.” He picks up his newspaper and keeps reading, the tiniest smile forming on his face. Frances shrugs, sticks her tongue out, and continues playing her Chopin.

The music comforts Marven. As Frances attempts to play Nocturne, Marven slowly closes his eyes, recalling the moment when his dearly departed wife informed him of their impending good fortune. It was a quiet night in Bristol, 1935. She danced around the room, holding up a bonnet in one hand and a football in the other, claiming the world as her very own oyster. That was thirteen years ago, and yet it beguiles him still. Dance, sweetheart, dance.

“Father? Father? I am not happy with this piece. I don’t think it suits this piano.”

Marven, anxiously awaiting the coming twilight, again puts down his evening newspaper. He looks directly through his daughter and out to the lawn past the confines of the parlor. Gray turns to black. “It doesn’t suit the piano? Is that what you just said?”

“Yes, Father, it doesn’t suit the piano. It appears to be giving me some fight. I don’t want to play it anymore.” Frances suddenly rises from her position at the piano and looks directly at Marven. “I’m done for the day, courage or no courage. I’m done.”

“Well, alright then, I guess you’re done.” Marven sits in disbelief at the immediate nature and burgeoning maturity. He is, simultaneously, forlorn and prouder than any father in the land. Had he missed something in these many years of commerce and appeasement to his many overseers? Had the momentary pursuit of life’s finer things drained him of this wonderful accord with his daughter, and in days past, with his precious wife? Had he been so foolish?

“Father?”

“Yes, love.”

“Why are the piano keys black and white, Father? Why are they not different colors, say blue, yellow, or tangerine? It seems so melancholy that they are simply black and white.” Frances walks over to the chaise and plops down upon it. She looks like a curious, but tired, cat. “I should think, Father, that if the colors were different, my music too would be different. My music would radiate, but do so effortlessly.”

“My, Frances, you have grown up quite quickly. The world is not always, my child, as we would have it be if we were the designer and the engineer. I guess this is the way I look at it, my young butterfly. Black is the essence of nothing and white contains all the colors of the rainbow. There is order in having only the two. It is up to you to know when and what to play to mold them into something more than just, as you say, melancholy black and white.”

Frances looks at her father. She struggles with what to say. She knows he has to be right. Mum told her that Father was almost always right, unless he were talking with Mum. “Then, Father, gray can’t be so bad, right?”

“No dearest, gray can’t be so bad.”

Marven takes a sip of his Scotch. Frances plays and plays. He again closes his eyes and witnesses one last dance, all in black and white.

adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Monday, June 7, 2010

Mumbai Dusk

“The Captain asks that you please fasten your seat belts as there is turbulence in the area. We will be landing soon. Thank you.” The female flight attendant’s voice rings out over the travelers, perky and bright.

All the amateur travelers hurriedly snap their lap belts in place as others tug theirs tighter. I have become accustomed to keeping my belt fastened, in place, throughout the duration of a transoceanic flight. The Atlantic is an unforgiving ocean. Even at nearly seven miles above sea level, she keeps her careful watch over you, plays with you, and even tickles your body and soul. No one is laughing, I assure you.

“Are you awake, Raj?” asks my lithe, slightly drunk travel acquaintance, Ansha, as she awakes gracefully from her slumber.

I never sleep on planes. There’s something about defying the laws of physics that keeps me mesmerized for hours on end. The anticipation of reaching my destination also has much to do with it. Perhaps, my friends would suggest, it is my nervous energy.

“Yes, I am awake. I see that you’ve been sleeping comfortably for some time.”

Ansha, whom I’ve only just met, is a consultant with an Indian IT concern. She cannot be more than twenty-eight. She holds two degrees - one in IT and one in business. She is single, but that makes no difference to me. She also likes German Riesling, which can be had, again and again, here in Star Class. I’m a red wine aficionado. She will make some bastard very happy one day.

“Raj, I do not understand you. I am a single, some say beautiful, woman and yet you have only spoken to me about the collapse of modern capitalism, the fact that businessmen suffer from irritable bowel syndrome of the mouth, and have only, in passing, stared at me.” Ansha exudes a level of discomfort that her prized beauty had only somewhat been exhumed.

I look at her without emotion, as I am prone to do, and the plane rocks violently. She grabs my arm, and pulls herself close. Without a glimmer of hope, and after the tremolo ceases, I release her. It is interesting how the inside of an airplane can provide catalysts for emotional and sexual tension. Ansha turns away from me and beckons for the shore below. She is clearly not very happy.

The Captain indicates that we are making our initial approach. Again, please fasten your seat belts. Your stewards in the sky will be making their final passes, collecting cups and glasses. Once this is done, please make sure your seat backs and tray tables are in their full upright position.” Poetry in the sky. I like that.

I look over Ansha’s shoulder, seeking some sign that we are indeed close to landing. She looks at me, briefly, as if to say, “fuck off.” I deserve that. Still, there is no ownership up here, and I continue my wanting gaze out of the window. Like small, rough-cut jewels, the lanterns of small fishing vessels shimmer on the water. As we made our way across the Arabian sea, I had seen many different lights on the ocean’s surface. None more important than the next, all keeping a man’s labor steady, directed, and productive.

We make a gentle left turn. The turbulence ceases. The statuesque stewards of the sky amble through the cabin, collecting our cups and such. All very ordinary, all very important. I can feel the plane sinking ever so gently through the clear night sky, with nothing but faith below us.

“Why? Why did you not say anything?” Ansha finally asks.

With the Gujarat coastline to our left, I wonder what type of life Ansha must have had to feel so betrayed by a total stranger. Not in a million sky miles can I make it up to her. There is no amount of love that can erase one’s past hollowness and I can say nothing to rid the pain today, though I am willing to give it a try.

“Why?” she asks again, this time with tears, like a strand of broken diamonds, streaming down her face. I gently wipe her tears away. I do so without passion, but with a desire to help ease her pain, superficial or otherwise.

“Ansha, you truly are a lovely lady. There is no room in my life for this right now. I know no love, no hate, and no emotion beyond what I do for my company. I’m sorry.”

She looks relieved. The whir of the flaps signals the pending arrival. Mumbai hangs in the distance, with the glow of the sun cascading over it. Right now, the sun is a bright orange rind, leaving the mighty subcontinent behind. Ansha dries her tears and kisses me lightly on the cheek. Now, she is the winner and I the loser. More flaps, followed by a new set of lights above us. And then darkness pervades as the landing preparation is complete. We can hear the gear engage and see the ocean below us, dark and murky in the morning wake.

“So, where do you go once we land?” Ansha asks. The winner is now composed and ready to do battle with her bharatiya colleagues. Body armor engineered with a Donna Karan suit, Prada shoes, and, organic vegan lipstick mask a treasure not meant for mine eyes. Definitely not the typical desi lady.

“Home, I go home.”

***

“Welcome to Mumbai. The time is now 20:10 IST. Please set your watches forward to Indian Standard Time. Our Captain and his entire crew welcome you to the jewel of Asia and hope that your stay is a pleasant one, whether it is here or at your final destination. Sukriya.” Final destination? Do we ever reach our final destination?

The outside vents are now open, letting in that world renowned Mumbai musk. It immediately attaches itself to me, like a think blanket made of years of neglect, shame, and fear. It is now gingerly laced with the smell of hard currency, the scent of a successful middle class, and the air of a motion picture mecca.

I find this aroma in many places in my travels, but those cannot rival this original. Life and death hang in this humid, gray veil of India. Lives lived and lives yet to come, be it now or forever, swirl in my mind. I am now in its midst, sheltered but yet fragile. One final ding and Ansha stands up. What a fool am I? Oh well, you win some and you lose some.

Before standing, I gaze out of the airplane’s starboard side and see the sun plunging into the horizon. The bright orange rind has turned into the flesh of a newly cut grapefruit - pink, hazy, and, I’m sure, a bit sour - filtered by Mumbai’s smoke. Regardless, before me, welcoming me home, was the one thing I will never miss - a newly minted Mumbai dusk.


adt

short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Wednesday, May 26, 2010

Time's a bitch

time mends not the heart
nor the head
nor the cadence
nor brings back the dead

it shelters not my soul
nor my past
nor my future
nor keeps first from last

i seek it
on my hand
the walls on my brain
the sand in the bottle
and the light of the day

"you will never get her back,"
time tells me
and my heart stops
and my soul bleeds
all so fast, and I,
I move from first to last

adt
short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi

Sunday, May 23, 2010

Perpetuity

no sound, no solace
no wave to brush back
no love, no grooming
no shallow cove to round

no moment of standing
no wisp of gross neglect
no spade, no fallow ground
no furtive glance
no admission

no poignant afterglow
no discussion of her absence
no mythical bystander
no solitary soldier

no fortune and no glory
not even a simple hurrah

but then, at the altar
of truth, the phalanx of veiled virtue knows that
what is left is hollow, guiltless
"more to come"
"more of the same"
no reason and certainly no rhyme
no more

adt
short hills, nj

Copyright 2010 all rights reserved arpit d. trivedi